Douthat

The mountains hold this blue gemstone gently,
How else could it be so still?


In its waters I’m overcome entirely,
and let myself slip below the water briefly.
Or perhaps pulled more instinctually?
As if some deep latent force
Gently coiled in the sublime blue
Held firmly behind this old dam
Is moving me,
Pushing me toward the center,
Pulling me across the faintly rippled surface.


Each moment here is a barely controlled euphoria
To float through a medium so familiar,
Yet so foreign.
To shed, temporarily, the rules of the land.


Are our souls not amphibious?

18 Rings

Walking today

Making my way

Newly over an old path

I saw another banal tragedy.

The tired earth

Our good

And patient soil

Torn and broken.

The unsteady equilibrium

Of an already disturbed place,

Nurturing things

In a quiet and

Unremarkable way.

A small parcel

Not forgotten,

Just temporarily ignored.

That lustful pause

Called investment.

Time mostly representing

Price change

And commodity fluctuation.

Not the endowing

Of unremarkable life

To unremarkable places.

I walked over the torn

And broken earth.

Small stones and gravel

Poured like vinegar

Into open wounds.

Tire tracks leading away

To faster and more complicated places

Bringing endless complication;

We know

Because we’ve seen

Where those tracks lead.

Passing by the pyre of sticks

I have come to apologize

In the self-conscious way of

Trying to be less self-conscious,

At the foot of the pile of sticks and branches

I notice stillborn spring buds

For trees always trust

The promises of spring.

The stump has 18 rings

Of varying width,

18 years of patient growth.

For this?

To extend a power line’s support.

To sink steel hooks into the earth.

But did I see the tree 

Before now?

Rockslide of Existence

Oh that I could roll away
In a rockslide of existence.
Like the lizards and the snakes;
Like the ground squirrels, or the rocks
I continually dislodge on this dusty trail.
To cascade into something greater,
Each individual plunge a mysterious
And a momentous occasion.
I see myself rolling now.
I’m smeared with brown
And green and dirt and things.
Tumbling down until my eyes only see
This lapis lazuli blue
Only smell this sagebrush
Only taste the dust between my teeth
Only see the fervid green of the oak leaves,
The mountain ash,
The brilliantly red penstemon:
All rolling together into one.
Blurring into a unity of existence.
Not a suicide,
Rather a resurrection
As my personhood is redeemed in the whole.
Not obliterated,
Not annihilated
Merely consummated.
In this ecstasy
This movement
This life
This wild breath.

Lifeless Visions

In the middle of the road

Where the asphalt runs thick

And spring heat liquefies the nearby air

Lies a bird.

It’s yellow and red

Now a lifeless vision.

There are many troubling questions.

How far did he fly?

Is this his native land?

Where do you bury a migratory bird?–

Should I fly down to Guatemala?

Or offer it, in some secluded spot,

To the vultures?

But I scrape it off the road,

Remove it from the sticky profanity

And rub away some dirt

From a secluded spot,

A place resonant with dignity–

Affirming our’s as well–

Cover it with twigs and mulch,

And whisper an apology.

How many bright visions

Lie lifeless on our roads?

Let us tend, then,

To our unburied dead.

Thoughts on the West

One of the reasons I believe the West is so compelling is its expansiveness. It draws the mind to new breadths and heights–awakens our faculties and renews the soul. The West is a landscape almost beyond our imagination–if we were tasked with designing a new world from a blank slate I doubt any “rendering” would come close to the alien, majestic, vertigo-inducing landscape found here. Maybe because it is so beyond our imagination it frees it to some degree.

And, it also feels sparsely inhabited enough (in places) that you can breathe a little. The American pioneer archetype was always looking for space and open landscape–I think, to some degree, we return to that search when we go West. Of course, there is a time and place for human contact and civilized society–but we’re wild creatures (in a good sense) to some extent. We need time on the landscape. Time enough in the desert to feel parched and exhausted, time enough out in the open to be soaked to the core in rain, time enough in the thick forest to feel the instinctual fear of long shadows, and time enough in the mountains to feel your extremities numb in the wind and driving snow. Because, on the other side of these feelings, these real and enlivening experiences, our wonder re-awakens. Our senses are shaken, jolted, and dusted off. We feel more human because we feel more. There is a special feeling in these genuine and life-affirming experiences that come as a ‘pearl of great price’ for those who depart civilization for the wilderness–even if only temporarily.

Most importantly, too, I believe experiencing nature to be a spiritual experience. The West, relatively unspoiled as it is, allows much more easily than other places, for this sort of communion. And it does more than simplify signify spiritual concepts–it foreshadows them as it speaks in the same divine register. One of my favorite quotes, from Thoreau, exemplifies this role: “In a pleasant spring morning all men’s sins are forgiven.” To me, this feeling mirrors divine absolution. No matter what we may have done, no matter how lost we may be, the landscape makes room for us. The sun doesn’t hide from us. This infinite grace is poured down upon us. Who has seen a more spectacular miracle than Spring? Who has felt more warmed, more enlivened, than by the first warm day of our vernal resurrection? If it is repentance, or death, or life, or love (or any of the quasi-religious nature-inspired moments), it is also a call, beckoning us to plant these feelings, those visions of eternity, in our everyday lives. Thus, the West is a little garden of eternities.

First, we see the vermilion red cliffs calling down salvation and grace, then we recall it once out of sight, and then we try to plant a bit of this salvation and grace in our everyday lives. We imbue a bit of this ‘red rock redemption’ into our pattern of life and character.

But again, it’s more than a symbol. For a symbol has no inherent power other than what it stands for. It may be a symbol, but it’s not that alone. For example, the clearest image or metaphor or likeness, for me, of eternal life are the seemingly endless summer days I spent with my siblings on the grassy fields behind my middle school, playing soccer and watching the clouds pass in the pale blue sky–heavy with humidity. It was an idyll, a perfect moment carved out of time. Though it may not be laying up stores in heaven, it seems to me a laying up of stores of heaven. These memories seem full of the very stuff of eternity. It seems as if time itself is pregnant with eternity. Though eternal life may not consist solely of staring up at puffy white clouds sailing through the blue sky (though I hope it is) this memory, for me, seems the best approximation to heaven. Or at least that is the thought that most resonates with my soul.

Emerson said “nature is the symbol of Spirit.” I take this to mean that nature shows us what we are capable of–reminding us that beauty and bounty are our birth-right in the “givenness of things.” If the mark of virtue is to see the “miraculous in the ordinary,” the West adds a distinctive element. Out here, where the miraculous is so apparent, so unavoidable, our challenge is to continually see the miraculous day in and day out. To not become inured to the miracle of this Western existence.

Ethereal Things

Salvation is blinding white light

Soaking through my vision, 

Evoking a feeling beyond words.

Rapture is a glowing, faint orange rock outcropping

Jumping out of a deep blue sky,

An unmediated ecstasy

Freely offered to the soul.

Life everlasting was that time on the grassy fields

With white clouds above

And an entire summer ahead.

Though not the coldly precise definitions

We often converse in,

Perhaps–

Until we can speak like the sunset,

Talk of endings like the twilight,

And move minds like the morning sun–

Ethereal things are best

Left to earth’s explanation.

Sunset Salvation

The world is a soft and warm hue

And the mountain won’t let us look away

Its rock metamorphosing to a glowing state

Reminiscent of eons past,

And the azure sky urges our minds

Toward the infinite

As the evening light on the mountainside intensifies,

Somehow. The mountain is a lit flame,

Our innermost ecstasy

A feeling made of rock and dirt and trees

and things. In the soft shadows of the snowy incline

A faint blue vaguely imitates the sky.

This is a revelatory moment

As a beautiful order emerges.

In this way our silent mountain watches us

Watching it.

And rewards us each passing day.

Though snow and wind may batter,

It remains unchanged.

A promise? Some sort of sign

perhaps? For it guarantees the same new feelings

In meticulously infinite

repetition. Even if it only happened once,

It would be enough.

Yet here,

You can see salvation each evening.

A Stilled Dragonfly

I saw a dragonfly today

Lying quietly in the grass.

On closer inspection

It looked perfect

Whole

Beautiful

And still

As if frozen in time

Or just plain frozen.

The first cold spell

Breaking summer’s fever dream,

Taming the heat,

Softening the sun’s rays.

The intricacy and delicacy

Of the dragonfly’s stilled wings

A vivid type

And foretelling

Of latticed ice

And ephemeral frosts

A coming and going,

A changing of the guard,

Passing nearly unnoticed in the night.

No bells tolled

Or bands played

For this single quick departure

–Among many others–

Though elegant as any.

Time and Place

I groggily awake almost an hour before dawn in late April, fill my small backpack with food and water, then drive to a mostly empty parking lot on the edge of Provo, nestled in the foothills above the city. I am finally beginning my journey to the top of Y Mountain. This was something I had always intended to do but never had. I attended a BYU women’s soccer game nearly seven years ago with a friend and sat above the field with a perfect view of Y Mountain. At one point I turned to her and asked, “Doesn’t it look like you could just hike straight up to the top?” In the fading twilight of that early fall evening, the mountain looked unbelievably friendly and inviting. My friend just laughed a little and looked at me incredulously.

That’s the funny thing about mountains, their very existence seems to call you towards them, their peaks and crags super-impose themselves first on your eyes, then on your mind, until there’s no forgetting them. But in all their inviting, they never creep even one inch toward you. They are constant in their stirring silhouette, although their apparel changes from various shades of brown to green to red and yellow to white and back again. Why did it take me almost seven years to hike the mountain that has towered above me all through my four years of school, and one year of work, here? It’s almost as if I neglected to visit a close family member. Almost every day I will turn to the mountains at some point and look at the little plays of light across them, track their snow cover in mid-winter, the frosted look of its conifer forests after a wet snow, the light green slowly running up towards the mountain peak as spring progresses, the soft red and yellow in fall. I’ve studied it so casually for so long, but never made the pilgrimage to its very top to pay my respects, never spoken with the oracle that must be somewhere near the pinnacle, never seen the grandeur that rests at the peak. In short, this hike was a long time coming. 

The first section of the trail is steep as it switch-backs across the mountain side toward the giant “Y” of white painted rocks laid out across the mountain side. It’s a very wide trail, essentially a small road, removed of stones and too manicured. Fortunately, I’m beginning early enough in the morning to avoid the crowds of hikers and family’s making their way to the “Y.” The first precipitous ascent really takes my breath away, and is steep enough at points to force me to walk on my toes in order to make some forward progress. But it is a delicate balance, for within a few minutes I have to walk flat-footed again to give my aching calves a little rest. The sky is overcast but dynamic. The sky toward the west looks eerie and much darker than the clouds directly overhead. The slanting lines of far-off rain gives the hour a sort of gloom. I pass the loud and persistent calls of the Towhee, the new and exquisitely small and delicate leaves of the scrub oak, and a few other lost souls.

When I pass the “Y,” the path finally takes on a more trail-like quality. It is a welcome relief to have a path narrow and rocky once again. The path itself seems to offer adventures and vistas as fresh as the previous path’s staleness. The trail begins to climb in a southern direction toward the narrow gap of Slide Canyon. The path being smaller, the scrub oak and low shrubs surround me in a show of hospitality. As I pass through Slide Canyon the trail starts to descend slightly and the mountain opposite looms up. It appears an avalanche has taken down a whole stand of evergreen trees there a few years ago. It must have been at least a few years, as the trees are bare of branches and appear nothing more than randomly dispersed logs. From where I stand looking toward the opposite mountainside, an old juniper stands beside me. I wonder if the old and gnarled juniper felt sorrow the day of the avalanche. Inside it’s grizzled trunk worn and shaped by the years, was there a silent mourning for its fellow conifers? Did its phloem and xylem pause for a moment of silence? I stop near here too, not for some silent eulogy, but a quick drink of water. After the first ascent I have still not entirely caught my breath. 

Now I begin to look out for pinyon pines. Pines are almost impossible for me to identify. It took me over a month to put a name to the two massive red pines outside my apartment window (and at this point I’m only half sure that’s what they are). During slow times at work I have been flipping through a tree field guide, which is part catharsis and part attempt to decipher any difference among pines. I am hopeful this brief study will pay off and I can spot some Pinyon pines among the rocky outcroppings and interspersed junipers that seem quite abundant at this point. Pinyons are notable in that they are one of a select variety of pine trees that provide us with pine nuts, prized in everything from pesto to pine nut coffee. However, as I make my way, scanning above and around me I don’t see anything, even through my binoculars, that even begins to resemble a Pinyon. 

Now, White Firs and Douglas-firs loom up as I approach the lowest part of the canyon and continue up. There is something absolutely primeval about forests. My mind turns to a selected reading from a practice standardized test I took a few months ago. The reading developed new ways of understanding forest clearings in prehistoric human society. The prevailing view is that they played some commercial or agricultural role, but another, more iconoclastic idea, is that the forest was cleared out of some primal fear. The forests were truly dangerous places, and this apprehension would likely give way to superstitions and visions of terror. A similar idea was expressed in an excerpt I read for a college class, which described the increasing poverty and terror of West Africa as a white journalist ventures deeper into the dark forest. I didn’t particularly like that perspective then, as it seemed to superimpose personal fears onto larger forces, but as I find myself in the middle of a forest on a gloomy day, especially a pine forest that seems to manufacture darkness, I feel more sympathy to that perspective. I can’t help but to walk faster. I pass in and out of dense patches of firs, Douglas-firs, spruces, and more trees whose names I still don’t know.

There is a fascinating relationship between identifying a thing and being cognizant of it. They say the first step is recognizing there’s a problem. Without recognition there is no way forward. Perhaps the step before that, though obvious and perhaps unnecessary to repeat, is to have a working vocabulary. Without the power of classification would our lives be a blur of sinister forces and mysterious ebbings and flowings of emotion, mood, light, and darkness, with nothing to connect them? I don’t know. But at the very least, I find I don’t acknowledge a thing without some way to categorize it. A world full of unnamed mystery does have a certain allure, but I would trade it for one of mystery that outlasts all categorizations and taxonomic exertions. A true mystery, a real page turner that is, instead of a cheap Hardy Boy’s chapter book.

For the past decade I have intermittently studied and watched birds, and for a little less time (and less consistently), trees. But I didn’t go any farther than that. Last week I finished reading “Pilgrim at Tinker Creek,” and I am now enthralled by the idea of diversifying that learning to insects, amphibians, rocks, deep geologic time, and astronomy. The author, Annie Dillard, shows such pure wonder and, occasionally, even terror at the goings on of the living and dead around her, and writes about it all stunningly. It is such an ornate tapestry of creation we find ourselves in, and I don’t want to limit myself to knowing a bit about a few bits of it. I had a wonderful political science professor who recently and tragically passed away. He was a paragon of voracious curiosity. At his funeral his daughters eulogized him and mentioned that the day he died he had over 50 tabs open on his laptop. They ranged from how to grill the perfect steak, to the state of German political economy, to fly fishing, to how to varnish a table. This method of living has such a marvelous allure to it. Learning the names of things also gives you a way into a new world. It gives you something to hang your hat on, a foothold to climb above from, a beachhead from which to slowly advance in understanding. I memorize the names of things to keep my sense of wonder too. Not that the natural world needs help in being more brilliant. It doesn’t, and if it did, I would be the last person to be able to provide assistance. But the nature of its brilliance, its majesty, is stunning to such a degree as to overwhelm. Without small bite-size and digestible pieces of understanding and comprehension, I am just as likely to go to my apartment and stare at the carpet. 

Eventually I reach a large clearing surrounded by aspens. I remember the clearing from a hike I took to Provo Peak last summer which passed by here. Then this clearing was a different version of itself. It was full of dense undergrowth and dazzling green of all hues and shades. The clearing now is mostly dead, but there are hints of life. There are small green sprouts in places, though piles of snow still litter much of the area. In some ways my morning journey resembles a walk back in time. I am traveling from fully-fledged spring to early spring to late winter. If I continue upward perhaps I could regain fall of 2013. Maybe then I would be able to keep my appointment with the mountaintop, or at least not be so late.

In a type of the spirit of prophecy that stalks me in the mountains, I feel as though I have seen the future. Was it real, though, or only a vision? To know for sure, I will have to wait until I return to the valley. I feel strangely comfortable with my new prophetic mantle. I see the piles of snow stacked high and the barren ground, blackened by the leaf detritus of the previous year all decomposed, and say to myself it will soon be different. The snow will be gone, the blackened earth made green once again, the clearing choked by new growth and all spangled in green and flowers. How audacious, how bold! But I feel the boldest, most enlivened, most comfortable assuming the seer’s burden in the mountains and light-dappled woods. 

Ten or fifteen minutes after passing the clearing I reach the turn-off to the summit. I take it and continue plodding upward through an even denser forest than the last. The path takes me up a small depression in Y Mountain. On the left, to the west, lies the peak facing Utah Valley, to my right, and east, another hillock that subsides again before eventually rising again up toward Cascade Mountain. The forest is alive with intermittent noise. I haven’t seen one yet today, but I hear Red-Breasted Nuthatches with their nasally and high-pitched “yank yank.” At this point in my backwards-with-time journey I’ve reached late winter. I step over and through dispersed snow piles, now turning into a near constant cover of snow at points. 

I crest the depression and rise into an open field with a mixed forest of aspens and conifers on either side. The gray sky has lightened slightly and a pale blue ceiling is visible at times. A Townsend Solitaire flaps overhead and alights on the tops of a nearby tree to sing the morning. The air is crisp and fresh, pungent with pine. A trip to the mountain is to overwhelm all the senses. To be baptized and washed in the confluence of morning air, sunlight, and rock. It seems my senses are inundated in the morning air so I can later taste it in the back of my mouth like the crunch of salt and sand in your teeth after a day at the beach.

By now I’m following footsteps in the snow, as the path is mostly obscured now. I see prints veer off towards the east, steps that ascend sharply up the ridge to what I presume and hope is the summit. It’s a scramble at points, and I’m fairly sure this isn’t the actual path. Eventually, after a brief struggle, I crest the ridge and walk down a little toward an overlook where I am immediately confronted by the valley. It is by turns startling and breathtaking. It’s almost blasphemous at times to see all our sins and follies laid out in one sweeping view. But it is beautiful too. The air is less crisp now, more forcefully cold, and I put on my sweatshirt and zip it up all the way. As I sit and eat a granola bar and a slice of last night’s pizza, I catch sight of a hawk in the distance soaring level with the mountaintop without a single flap of its wings.

I come to the tops of mountains always barely consciously awaiting some epiphany. To look over the landscape and be keeled over by some undeniable truth. To summit a mountain and be able to tell myself I know the mountain, for I have run my eyes across its top and looked down from its heights. To see what the mountaintop sees, and keep it for myself. But each time I reach a summit I realize this almost imperceptible desire is yet unsatisfied. I can’t even begin to claim I have known the mountain or discovered its knowledge. This knowledge isn’t to be had at the summit, nor in the forested coves, nor the clearings, nor the aspen stands, nor among the wildflowers. It seems there’s no single conclusive endowment of knowledge or transcendent beauty to be had at any single time. But perhaps something similar and deeper is to be had, a growing, living, and breathing ephiphany, found in the sum total and quiet accrual of quiet meditations in the woods, pine needles crunching underfoot, a hawk arcing across the sky, and the sun’s rays through a cloud. 

There is an impulse to tick mountain summits off a list, to bag them, they say. But a mountain is much more than a single trail you hastily beat to the summit. It is more than its highest points. It is one of those unknowable things that draws you back, makes you seek the hidden treasures you may have missed the last time, to grasp the new things the mountain wants to give you. Just as the rocky ledges of Y Mountain verge on the infinite so are it’s moods and traits. But, if you insist on ticking mountains of a list, then I ticked off my list “Y Mountain on a cool, slightly overcast, early May, Saturday morning of 2020.” Only that, for the mountain is still on my list, exactly where I intend to keep it. 

Spring

Is it me or the world?
Who has been asleep these past few months?
The answer should be easy and clear
–And yet
Sometimes I wonder
Is it me or the world?
My hand now warmed by the steel of the bridge over the swollen river,
Whispered on by soft rays.
Was a warmth there during those long, dark months?
And I too afraid to touch it out of some fear of disappointment?
Perhaps not the same warmth
Yet a semblance of it still.
Is it me or the world?
The soft new buds,
The growing green,
Is this only a seasonal change?
Or am I just now beginning to see?
During those long nights of frigid darkness
Was it growing and blooming?
Or have I attained clear sight at just this time
By perfect coincidence?
Is it me or the world?
The swirling and buzzing swallows,
Glimpsed on a sunny day,
Framed against a topaz sky.
Have they been there all along?
Was I unwilling to catch sight of those forms upon white clouds
Amid silent snowfall?
Is it me or the world?
Has my tiring of blindness led to the restoration of sight?
Or is it our tiring?
Have we collectively willed this new season?
Or are we all just now beginning to see
And feel
And touch?

A Wondering Discontent

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